If your object is delicate or has a thin stem like a wine glass, beware when you remove the object from its waxed spot.

It’s good for glass, plastic, wood, bone, stone, papier-mâché, and metal… with a caveat or three:

Some three dimensional artwork required elaborate brackets and mounts fabricated from steel or brass and padded out with soft felt to safely manage their mass or delicacy, but usually we just followed a stick-it-to-the-deck-so-it-don’t-move-no-where plan.Īnd Museum Wax isn’t just for ceramics. Art conservation staff call it “seismic mitigation,” but we lowly preparators know this means, “Make sure it doesn’t fall over before the building collapses.” We had a plan: artwork was hung from at least two hooks anchored in a stud or plywood sheet, and the lower edge of every frame was locked down with special security hardware. In the decade I worked as a preparator installing artwork in California museums and art galleries, Museum Wax was my best ally in the fight against roaming temblors. The key? It’s “reversible,” a favorite adjective of art conservators everywhere. Museum Wax provides a firm hold for large urns and small cups and is still reasonably removable. And that’s not all-Museum Wax will tackle those finicky nonmagnetic screws and crooked pictures on the wall too.įor collectibles and artwork, Museum Wax beats duct tape, cyanoacrylate glue, bailing wire, and chewing gum hands down. Museum Wax is made of non-toxic, non-acidic, microcrystalline sticky stuff that can anchor your model Millenium Falcon or ground your grandfather’s carved Mallard drake. He has installed art everywhere from college art galleries to commercial galleries-even his own installations.Įvery collector of kitsch, fine china, or fossils has wondered, “How do I make my cookie jars stay put so they don’t clock me in the head when the train rumbles by?” If earthquakes, passing freight trains, and bumps in the night are causing havoc with your collectibles, Museum Wax can help you get a grip. Compatible Material Because both the museum gel and museum putty are of different consistencies, they are made from different types of materials with different compositions to achieve their distinctive form.Jeff Stephens is an inventory specialist at iFixit, and he worked for six years as a supervisor of installations at the Los Angeles County Museum of Art. Non toxic, white in colour Size: 75g slab Removable, reusable and non-toxic Museum Putty secures antiques, collectibles and more from falling and breaking…. Museum Putty is an ideal product to help secure objects with pedestal feet, figurines, ceramics, porcelain etc. It's ideal for items which are on open display which are prone to movement due to vibrations or accidental disturbance, not just earthquakes! It will easily and firmly fix downCollectors Hold Museum Putty is strongly recommended for securing items that are continually being moved around.

It can be used on most surfaces, including ceramics, porcelains and laminates, as well as on walls to help stabilise pictures. Quake Hold Museum Putty is ideal for securing antiques, collectibles, figurines and more from falling and breaking. Heat Resistance While the gel can’t resist high temperatures, museum putty is heat resistant and doesn’t get damaged in high heat. On the other hand, museum putty is made from a combination of latex-type materials to give it a soft and moldable consistency.However, because of its properties, museum putty is suitable for holding smaller and lightweight items on surfaces made from ceramics, porcelains, and laminates. Now that you know the differences, let me discuss Museum Gel vs. It is more like a solid thin film and gives the adhesive its unique gel-like texture. Museum Putty in great detail so that you know how these two exactly differ.For starters, Museum Gel is made from a plastic liquid known as thixotropic. It can hold lightweight objects securely and reduces the risk of damage or accidents To help you in such situations, I have discussed Museum Gel vs. Museum putty is also a strong adhesive that is used by museum professionals and antique dealers to keep things securely in place. Made from thixotropic (a plastic liquid), this adhesive is used to hold small and medium-sized objects in place. Museum Gel, also known as earthquake gel, is a clear and more viscous adhesive that comes in a gel-like consistency. Although both the museum gel and museum putty are adhesives, they both have different consistencies and hence, are suitable for different types of materials.

Museum putty clear